SYNOPSIS
In response to the injustices and social inequalities he suffers, a man praises the beating as an ultimate means of communication ...
Transference is a cruel poem, from which no one will come out unscathed.
ÉQUIPE
Based on :
« Haberos quedado en casa, capullos » Monologue 1
by Rodrigo Garcia,
Adaptation and screenplay :
Pascal Contamine and Martin Desgagné
Production :
Exogène Films (Jean-François Roesler et Yannick Sadler), Martin Desgagné et Pascal Contamine
Associate Producer : Louis Desparois
Directors : Martin Desgagné and Pascal Contamine
Cast : Pascal Contamine and Louka Bertrand-Chabot
Director of photography : Martin Desgagné
Editor : Maxim Rheault
First Editor : Ouananiche (Cédric Chabuel)
Colorist : Ewan Stringer
Sound engineer and designer : Louis Desparois
Sound editor : François Tremblay
Music composers : Louis Desparois and François Tremblay
Sound mixer : Martin Ferguson
Costumes, make-ups and accessories : Fruzsina Lanyi
Transfert - Bande annonce #2
FILM DIRECTORS
PASCAL CONTAMINE
Actor, author, director, teacher, choreographer, artistic director, entrepreneur, screenwriter, director ... Since graduating from the National Theater School in 1995, Pascal has continued to multiply the most diverse experiences.
In the cinema, he has appeared in twenty short and feature films, such as Cosmos, directed by Manon Briand, Littoral by Wajdi Mouawad, Seven days by Podz, Solar Wind by Ian Lagarde, Three nights and one single death by Stéphane Disrchauer, Heartache de Franie-Éléonore Bernier...
He has also scripted, directed and produced two short films: Intervention 1534 and The Negation of Gravity.
MARTIN DESGAGNÉ
Since graduating from the Montreal theatre Conservatory in 1996, Martin Desgagné has kept busy as an actor, stage director, screenwriter and film director.
It was in Rodrigue Jean’s Full Blast feature - where he portrayed Piston - that his talent was offered for all to discover. Since then, he starred in independent films, such as La planque as well as in Ink of Blod.
His writing skills have profited cinema (La planque, La prise de la Bastille), television (Nikanesh, Allô Pierre-L’eau!) and the stage (Manic, l’œil du Québec).